47. PLAY: Dance Nation by Clare Barron

As part of our new monthly series, we pick a play to discuss and this month’s play is “Dance Nation” by Clare Barron! It is one of the winners of the 2015 relentless award, a finalist for a Pulitzer, and winner of Susan Smith Blackburn Prize. In this episode, we discuss what we noticed, what…

46. Interview with Tiana Randall-Quant

What is “devised theater”? How can one start devising new work? In this week’s episode, a fellow Beckett’s Babies listener, Tiana Randall-Quant, reached out to us to share her experiences creating new work with The Wallis Studio Ensemble Their show “Lucid” opens on February 20th and we can’t wait for you to hear what she…

45. New Year! New Season! Same Babies!

Hello, Listeners! WE ARE BACK! In this episode, we check-in, share our own personal goals and resolutions (and how we’ve failed already), and other exciting plans we have on the horizon for Beckett’s Babies. LISTEN TO EPISODE 45: NEW YEAR! NEW SEASON! SAME BABIES! HERE We want to extend special thanks to our listeners for…

44. We'll See You in 2020!

Hello, listeners! It’s been an incredible year of discussing all things playwriting and interviewing theater guests from all walks of life on Beckett’s Babies. In this episode, we share some of our favorite interviews and highlights from the year. We even share some of our dream goals for guests on our future episodes… Dream Goal…

43. Interview with Megan Gogerty

“Process is all.” “The difference between an entrepreneur and artist is that the entrepreneur is focused on product, the artist is focused on process.” “Every play teaches me what I need to make a new play.” “Creativity and productivity are yin and yang.” “We’re party planners, playwrights. We’re planning experiences. Experiences can not be captured…

42. Writing Non-Human Characters

Writing non-human characters…Why do some playwrights bring non-human characters to life? What’s the draw? What do we achieve when we place human ideas, thoughts, and emotions into a non-human character? Is there a place for it in a serious adult drama? Find out in this episode as we attempt to figure it out! LISTEN TO…

41. Interview with Marisela Treviño Orta

We love to interview playwrights! We love to hear how they discovered playwriting and how they found themselves on this journey into the world of playwriting. We had the immense pleasure to talk to Marisela Treviño Orta and we know you will enjoy this episode, listeners. Marisela is an accidental playwright. She got her MFA…

40. Interview with Terri Weagant

“Give yourself the gift of working hard and doing the best that you can do in any given moment but taking away comparisons to other people and their work.” We had such a great and fun conversation with actor, producer, solo performer, and arts educator Terri Weagant! Based out of Brooklyn, NY, she shared her…

39. Writing Monologues

What the heck are monologues? Don’t get it confused with the “kissing disease”. In this episode, we discuss the different kinds of monologues in plays, what are they for, what makes a good monologue for a play vs. a standalone monologue, how to write one and when do we use them in our plays. LISTEN…